Resources

EQUIPMENT AND STUDIO USE

Even though this class is focused on post-production, you should absolutely feel free to make use of the equipment and studio.  Below are the studio policies PDF and a link to the form for requesting equipment.

Studio policies

Equipment request form

LAB HOURS

The only way to ensure lab time is to email me (dan014@bucknell.edu).  Generally, the lab is available at the times posted below.

Fall 2016 Hours

Tuesday: 2:00 – 5:00
Wednesday: 2:00 – 5:00
Friday: 2:00 – 5:00

Lab use at other times may be arranged as necessary, although access to the space will be limited.  Please email me (dan014@bucknell.edu) with questions about availability and usage.

PDFs

Introduction to Premiere Pro – I use this document to teach Premiere to beginners.  It covers everything from importing media to exporting the final video.

SlugFilm Guides – Reference materials on importing and transcoding media, created by UC Santa Cruz.

ONLINE RESOURCES

Here are a few of my favorite sites – let me know if you have suggestions of your own!

Video Copilot – Excellent video tutorials for After Effects.

AEScripts – Powerful third-party plugins, scripts, and presets for After Effects.

Creative Cow – Active and helpful community for all kinds of creative software.

No Film School – News and product reviews relevant to indie filmmakers, collected from around the web.

Filmmaker IQ – Well-produced, in depth video essays about everything from how digital camera sensors work to the history of movie theater popcorn.

Studio Daily – Comprehensive site for industry news with a great “video of the day” collection.

STOCK MEDIA

FindSounds – Need a random sound effect?  Try this search site.

incompetech – Composer Kevin MacLeod has a large archive of music that’s free to use with attribution.

YouTube Audio Library – Music and sound effects, searchable by various parameters.

Free Music Archive – Curated music in a variety of styles.

Internet Archive – A staggering collection of public-domain media.  There’s lots to explore here, but check out the Prelinger Archive of ephemeral films in particular.